Abstract: This paper explores Michal Heiman’s creative strategy to imaginatively enter the space of asylum. Her recent project, Return: asylum (the Dress, 1855-2018), offers a new way to extend solidarity to people who have been subjugated by the institution. She actively enlists the public’s help in developing further strategies for connecting with those individuals who have been bereft of legal rights to property, family, or public hearing. This article explores Heiman’s crucial political intervention, which blends creative visual practice with object relations theory.
Our latest issue is out! Featuring a dossier on global history and decolonization – from the air, in pharmaceuticals, seeing Dar-es-Salaam as a decolonial space, in the postcolonial career of D.N. Pritt, and African Liberation in 1970. Our issue also includes an essay on hunger strikes at Guantanamo Bay and another on the “Unwilling or Unable” doctrine and its reproduction of racial capitalism.View entire issue >
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Human Rights, Revolutionary Humanitarianism, and African Liberation in 1970, from Meredith Terretta @MTerretta https://muse.jhu.edu/pub/56/article/902635
The Jurisprudence of Decolonization, from Rohit De @itihaasnaama