Abstract: Michal Heiman’s project, Return: asylum (the Dress, 1855-2018), consists of photographs of women and men clothed in a dress similar to one worn by women inmates at the former Surrey County Lunatic Asylum in the 1850s. Traversing time, space, gender, race and institutional practices of asylum, the artist takes the viewers on a ride in a time machine that is not a technological devise but a discourse on memory and on owning the future: s/he who wears the dress has the potential to return as witness, reader, artist, prosecutor, gate-keeper or rebel, thereby transforming her exceptional story into ours. Return: Asylum is an act of resistance: it engages human imagination in re-presenting the regenerative power of human solidarity as an alternative to current political practices that sacrifice the right of asylum—the only right that since the dawn of political life, as noted by Arendt, “has ever figured as a symbol of the Rights of Man”—at the altar of a security theology.
Our latest issue is out! Featuring a dossier on global history and decolonization – from the air, in pharmaceuticals, seeing Dar-es-Salaam as a decolonial space, in the postcolonial career of D.N. Pritt, and African Liberation in 1970. Our issue also includes an essay on hunger strikes at Guantanamo Bay and another on the “Unwilling or Unable” doctrine and its reproduction of racial capitalism.View entire issue >
📘'Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics' is now available for pre-order!
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Human Rights, Revolutionary Humanitarianism, and African Liberation in 1970, from Meredith Terretta @MTerretta https://muse.jhu.edu/pub/56/article/902635
The Jurisprudence of Decolonization, from Rohit De @itihaasnaama