Jeffrey Wasserstrom: How do you see your Phantom Shanghai fitting in with—or perhaps challenging—the sketch I’ve offered in this issue of the city moving from one defined more by juxtapositions of cultures to one in which juxtapositions of eras is as important?1 I’ve left some important things out, of course, such as juxtapositions of classes, something that is related to both of the other sorts of juxtaposition. Greg Girard: Shanghai’s past as a city run by Westerners continues to fascinate Westerners and others, and there Continue reading → Continue reading →