This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. The core question animating my explorations in Runaway Genres was the relation between slavery and freedom across past and present landscapes. The project started with noting the resurgence and proliferation of neo-slave narratives by African American writers in the last four decades; it moved on to track how the slave narrative’s peculiar features repeat today in narratives of capture and violence from the Global Continue reading →
In literary studies, questions of race, power, and terror raised by the mention of the Zong atrocity have long been familiar. While the facts of the case are well known—in 1781, a captain of a British slave ship chose to throw 133 slaves overboard so that he could claim them as insurance losses—the afterlife of Zong far exceeds its eighteenth-century abolitionist frame of moral outrage, legal maneuver, and humanitarian activism. Following in and amplifying J. M. W. Turner’s footsteps (whose 1840 painting Slave Ship galvanized Continue reading → Continue reading →