This post is part of a symposium on Lyndsey Stonebridge’s Placeless People. All contributions to the symposium can be found here. Lyndsey Stonebridge’s Placeless People: Writing, Rights, and Refugees offers a historically rich, theoretically compelling, and literarily nuanced account of a question that has long underpinned scholarship on human rights: what is the relationship between literature and human rights? Several aesthetic forms are typically foregrounded when considering this question: sentimentalism as a mode of empathizing with the suffering other; the Bildungsroman as a genre that Continue reading →