Early in Lê Thi Diem Thúy’s novel The Gangster We Are All Looking For, Lê’s first-person six-year-old narrator finds herself in communion with the glass animals locked in a display case in the office of the Russell family, which sponsors her, her father, and four other men—”the uncles”—who accompanied them as they fled from Vietnam to the United States. She tells the animals about her journey on the boat and rescue at sea by the U.S. Navy, memories of her mother from whom she and Continue reading → Continue reading →