Surprisingly enough, discussions of Hamlet have recently become deeply intertwined with debates about international law and international justice. A precipitating cause is Jacques Derrida’s late work Specters of Marx, in which Shakespeare’s Hamlet played a crucial organizing role. Because of Specters of Marx, whose subtitle is The State of the Debt, the Work of Mourning and the New International, Hamlet is now, in Nicholas Royle’s words, “an exemplary text for thinking together about the current state of the world.”1 What has also emerged as scholars Continue reading → Continue reading →