. . . technical reproduction can put the copy of the original into situations which would be out of reach for the original in itself . . . the technique of reproduction detaches the reproduced object from the domain of tradition . . . And in permitting the reproduction to meet the beholder or listener in his own particular situation, it reactivates the object reproduced . . . Its social significance, particularly in its most positive form, is inconceivable without its destructive, cathartic aspect, that Continue reading → Continue reading →