Abstract: This paper explores Michal Heiman’s creative strategy to imaginatively enter the space of asylum. Her recent project, Return: asylum (the Dress, 1855-2018), offers a new way to extend solidarity to people who have been subjugated by the institution. She actively enlists the public’s help in developing further strategies for connecting with those individuals who have been bereft of legal rights to property, family, or public hearing. This article explores Heiman’s crucial political intervention, which blends creative visual practice with object relations theory.
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In our new issue we feature a dossier on international organizations and technologies of stateness. In contains essays on Ethiopia and the League of Nations, imperial internationalism in India, constitution drafting manuals, the World Bank in Calcutta, the state and international law, and UN technical assistance in decolonializing states.View entire issue >
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Li Wenliang, Liu Zhiming, Xu Depu, Peng Yinhua, Xia Sisi: these are the names of some of the doctors that have died while treating COVID-19 patients in Hubei Province in China, according to media reports. As of late February, 3,387 health workers in China have reportedly been infected; at least 18 of these have died. Some of the earliest cases of community transmission of the disease in the United States, the United Kingdom, and Australia have likewise afflicted frontline health workers. Images circulating in the Continue reading →
The following speech was delivered at the plenary—“Political and Revolutionary Imaginaries from Past to Present”—of the 16th Annual Historical Materialism conference held in London on November 9, 2019. When the conference organizers invited me to participate in this plenary some moons ago, I agreed rather hesitantly. What revolutionary imaginaries had the World Tribunal on Iraq developed at the turn of the twenty-first century? Which of the tribunal’s many aspirations, inspirations, and implications could I convey? Did the World Tribunal on Iraq deserve to be called Continue reading →