Abstract: This paper explores Michal Heiman’s creative strategy to imaginatively enter the space of asylum. Her recent project, Return: asylum (the Dress, 1855-2018), offers a new way to extend solidarity to people who have been subjugated by the institution. She actively enlists the public’s help in developing further strategies for connecting with those individuals who have been bereft of legal rights to property, family, or public hearing. This article explores Heiman’s crucial political intervention, which blends creative visual practice with object relations theory.
Follow Us On TwitterMy Tweets
In our new issue we feature Jessica Whyte’s piece on Just War, Decolonization and the Geneva Conventions. Also in this issue are essays on humanitarianism, postcolonialism and the fiction of Bessie Head, the international movement for Iranian political prisoners, Mexico’s contribution to International Economic Order, filming force feeding in Guantanamo, and a photo dossier on Asylum/Home. We end with a review essay on the humanitarian conscience.View entire issue >
Recent Blog Posts
This post is part of a symposium on Ayça Çubukçu’s book For the Love of Humanity: The World Tribunal on Iraq (University of Pennsylvania Press, 2018). All contributions to the symposium can be found here. Attempting the Impossible, Doing the Necessary Sometimes, in trying to think through the history of the present, it’s helpful to begin at the end and work your way back. The reader who takes this approach to Ayça Çubukçu’s For the Love of Humanity: The World Tribunal on Iraq will be Continue reading →
This post is part of a symposium on Ayça Çubukçu’s book For the Love of Humanity: The World Tribunal on Iraq (University of Pennsylvania Press, 2018). All contributions to the symposium can be found here. For the Love of Humanity tells the story of the global anti-war movement’s efforts to put the United States, the United Kingdom, and their allies on trial for crimes committed during the invasion and occupation of Iraq. It is an intensely creative and also a vexing book. How it troubles Continue reading →