Abstract: This paper explores Michal Heiman’s creative strategy to imaginatively enter the space of asylum. Her recent project, Return: asylum (the Dress, 1855-2018), offers a new way to extend solidarity to people who have been subjugated by the institution. She actively enlists the public’s help in developing further strategies for connecting with those individuals who have been bereft of legal rights to property, family, or public hearing. This article explores Heiman’s crucial political intervention, which blends creative visual practice with object relations theory.
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In our new issue we feature Amy Kapczynski’s essay on neoliberalism and the right to medicine. Also in this issue are essays on Armenians and the history of humanitarian evacuations, the changing politics of squatting in Britain, Chinese Humanism, and the genre of NGO reports in India. We end with a review essay on the attempt to outlaw war.View entire issue >
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This post is part of a symposium on Ayça Çubukçu’s book For the Love of Humanity: The World Tribunal on Iraq (University of Pennsylvania Press, 2018). All contributions to the symposium can be found here. Attempting the Impossible, Doing the Necessary Sometimes, in trying to think through the history of the present, it’s helpful to begin at the end and work your way back. The reader who takes this approach to Ayça Çubukçu’s For the Love of Humanity: The World Tribunal on Iraq will be Continue reading →
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