In 2008, the Nigerian police twice arrested twenty-six-year-old Ugochukwu Chinoso Nwanebu. A peaceful activist, Nwanebu was, like other Igbo secessionists, profiled and persecuted by Nigerian police via systematic torture and assassination. The first time that Nwanebu was arrested, he was tortured. The second time, he was tortured and released; however, he was released only so that police could hunt and kill him for sport. Nwanebu managed to escape and find his way to a relative’s home. Knowing that the police would find him if he returned home, his family arranged for him assume his uncle’s identity to travel to Canada for asylum. Nwanebu was given documents that provided the false identity, a cover story for his travels, and the name of a contact in Vancouver—a human rights advocate who could provide legal counsel for his asylum application.
Follow Us On TwitterMy Tweets
Our new issue features a conversation between Jasbir K. Puar and Oishik Sircar, available open-access on the Humanity journal website. The issue also includes essays on the politics humanitarian architecture and the Parisian “Yellow Bubble,” family planning projects in postcolonial Morocco, how Amnesty International's formative years shaped professional human rights activism, and the linguistic and affective labor of field interpreters for UN missions. It contains review essays on theories of political violence and on global histories of slavery and indentured labor.View entire issue >
Recent Blog Posts
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. In his now classic essay published in NLH in 1976, “The Origin of Genres,” Tzvetan Todorov famously articulated the following: “It is because genres exist as an institution that they function as ‘horizons of expectation’ for readers, and as ‘models of writing’ for authors.” He goes on to argue that “Genres communicate with the society in which they flourish by means of institutionalization,” and Continue reading →
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. Which forms are most amenable for narrating the afterlives of slavery and why? Which configurations of race and power come to the fore and which recede when contemporary Afro-diasporic writers take up the slave narrative to address contemporary human-rights violations in Africa? What happens to the mutually constitutive relationship between race and form across different spaces and times? These are the questions that animate Continue reading →