This article shows how emergency humanitarian food relief efforts fitted into the gradual establishment of French imperial occupation in Syria-Lebanon between 1915 and 1925. It argues that we should grasp the years from 1915–1925 as a unit – a distinctively transformative “occupation decade” in the Middle East, as the Ottoman Empire was replaced by the League of Nations Mandate system. It contributes thereby to current debates on the scope and chronology of the First World War. It also engages with a central question in the historiography of modern humanitarianism – the idea of emergency relief and socio-economic development as “dual modes” of humanitarianism, and concludes that state and non-state humanitarian relief are not easily separated.
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In our new issue we feature Amy Kapczynski’s essay on neoliberalism and the right to medicine. Also in this issue are essays on Armenians and the history of humanitarian evacuations, the changing politics of squatting in Britain, Chinese Humanism, and the genre of NGO reports in India. We end with a review essay on the attempt to outlaw war.View entire issue >
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This post is part of a symposium on Ayça Çubukçu’s book For the Love of Humanity: The World Tribunal on Iraq (University of Pennsylvania Press, 2018). All contributions to the symposium can be found here. Attempting the Impossible, Doing the Necessary Sometimes, in trying to think through the history of the present, it’s helpful to begin at the end and work your way back. The reader who takes this approach to Ayça Çubukçu’s For the Love of Humanity: The World Tribunal on Iraq will be Continue reading →
This post is part of a symposium on Ayça Çubukçu’s book For the Love of Humanity: The World Tribunal on Iraq (University of Pennsylvania Press, 2018). All contributions to the symposium can be found here. For the Love of Humanity tells the story of the global anti-war movement’s efforts to put the United States, the United Kingdom, and their allies on trial for crimes committed during the invasion and occupation of Iraq. It is an intensely creative and also a vexing book. How it troubles Continue reading →