Abstract: This essay interrogates Nicholas Kristof’s reporting on sex trafficking in Cambodia, examining the New York Times columnist’s narrative self-fashioning in the context of the neoimperialist rescue fantasies his writing perpetuates. It explores the intersections between Kristof’s writing and the various media he employs, and considers the effects of both on the audience he wishes to interpellate in the name of action. In his reporting, Kristof disseminates a set of truth claims about sex, work, and mobility; he presents himself as a global savior figure and encourages the “ironic” participation of his reader, who is moved less to take part in a cosmopolitan morality centered on justice for the Other than to identify with the savior and contemplate their own narcissistic performance of solidarity.
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Our new issue features a conversation between Jasbir K. Puar and Oishik Sircar, available open-access on the Humanity journal website. The issue also includes essays on the politics humanitarian architecture and the Parisian “Yellow Bubble,” family planning projects in postcolonial Morocco, how Amnesty International's formative years shaped professional human rights activism, and the linguistic and affective labor of field interpreters for UN missions. It contains review essays on theories of political violence and on global histories of slavery and indentured labor.
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Captivating Genres
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. In his now classic essay published in NLH in 1976, “The Origin of Genres,” Tzvetan Todorov famously articulated the following: “It is because genres exist as an institution that they function as ‘horizons of expectation’ for readers, and as ‘models of writing’ for authors.” He goes on to argue that “Genres communicate with the society in which they flourish by means of institutionalization,” and Continue reading →
Thinking with Runaway Genres about Runaway Movements and Falling Monuments
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. Which forms are most amenable for narrating the afterlives of slavery and why? Which configurations of race and power come to the fore and which recede when contemporary Afro-diasporic writers take up the slave narrative to address contemporary human-rights violations in Africa? What happens to the mutually constitutive relationship between race and form across different spaces and times? These are the questions that animate Continue reading →