How do narrative forms affect, and how are they affected by, the development and promotion of human rights? Richard Wilson’s and Lyndsey Stonebridge’s latest books offer new insights into this question, which is one of the most interesting, most frustrating, and most frequently asked questions about human rights in the humanities today. As analyses of the relationship between narrative and the promotion of human dignity, each book serves the same shared larger project, and each is valuable in its own right. But placed alongside one another, they are also an illuminating study in methodological opposition, revealing the wide range of research possibilities in interdisciplinary human rights scholarship, from painstaking history to elusive theory, from practical political and organizational interventions to the sometimes radical efforts of cultural reimagination.
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Our new issue features a conversation between Jasbir K. Puar and Oishik Sircar, available open-access on the Humanity journal website. The issue also includes essays on the politics humanitarian architecture and the Parisian “Yellow Bubble,” family planning projects in postcolonial Morocco, how Amnesty International's formative years shaped professional human rights activism, and the linguistic and affective labor of field interpreters for UN missions. It contains review essays on theories of political violence and on global histories of slavery and indentured labor.
Recent Blog Posts
Captivating Genres
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. In his now classic essay published in NLH in 1976, “The Origin of Genres,” Tzvetan Todorov famously articulated the following: “It is because genres exist as an institution that they function as ‘horizons of expectation’ for readers, and as ‘models of writing’ for authors.” He goes on to argue that “Genres communicate with the society in which they flourish by means of institutionalization,” and Continue reading →
Thinking with Runaway Genres about Runaway Movements and Falling Monuments
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. Which forms are most amenable for narrating the afterlives of slavery and why? Which configurations of race and power come to the fore and which recede when contemporary Afro-diasporic writers take up the slave narrative to address contemporary human-rights violations in Africa? What happens to the mutually constitutive relationship between race and form across different spaces and times? These are the questions that animate Continue reading →