According to a variety of texts—from guidebooks and travel accounts to, at least by inference, novels and later films—what made a trip to Shanghai in the late nineteenth and early twentieth centuries special was the way one encountered there a jumble of people from, and physical elements linked to, various parts of the world. It was, as boosters and travelers both liked to stress, a place of great cultural diversity, where the East and West were juxtaposed in special ways. This sense of the city was conveyed by the images featured on postcards, guidebook covers, and movie posters. It was also communicated by the delicate and detailed line drawings of the local scenes that appeared in the pages of the Dianshizhai, a late nineteenth-century illustrated magazine that, as Rebecca Nedostup and I suggest in a forthcoming part of MIT’s Visualizing Cultures project, was for some Chinese what the Illustrated London News was for many contemporaneous Britons and National Geographic would later be for many Americans.1
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Our new issue features a conversation between Jasbir K. Puar and Oishik Sircar, available open-access on the Humanity journal website. The issue also includes essays on the politics humanitarian architecture and the Parisian “Yellow Bubble,” family planning projects in postcolonial Morocco, how Amnesty International's formative years shaped professional human rights activism, and the linguistic and affective labor of field interpreters for UN missions. It contains review essays on theories of political violence and on global histories of slavery and indentured labor.
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Captivating Genres
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. In his now classic essay published in NLH in 1976, “The Origin of Genres,” Tzvetan Todorov famously articulated the following: “It is because genres exist as an institution that they function as ‘horizons of expectation’ for readers, and as ‘models of writing’ for authors.” He goes on to argue that “Genres communicate with the society in which they flourish by means of institutionalization,” and Continue reading →
Thinking with Runaway Genres about Runaway Movements and Falling Monuments
This essay is part of a symposium on Yogita Goyal’s Runaway Genres. All contributions to the symposium can be found here. Which forms are most amenable for narrating the afterlives of slavery and why? Which configurations of race and power come to the fore and which recede when contemporary Afro-diasporic writers take up the slave narrative to address contemporary human-rights violations in Africa? What happens to the mutually constitutive relationship between race and form across different spaces and times? These are the questions that animate Continue reading →