Working with the Frames of War
The mood is wrong, the atmosphere stained, and something is odd about the light. These things are not easy to say, and harder to explain, but you can feel them. And now they can be seen. —Robert Hariman1 In the aftermath of 9/11, the American government launched the war on terror in order to impose the prosecution of its foreign policy. From the onset, the war on terror’s powerful visual and verbal narratives made it almost impossible to oppose its rationale and to suggest alternative Continue reading → Continue reading →
