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Painting by Sabri Al Qurashi, 2010. Photograph by Alexandra S. Moore.

In our featured essay, Alexandra S. Moore introduces a dossier on cultural renditions of  Guantánamo and the War on Terror. Along with her presentation of the dossier’s five companion essays, Moore considers Freda O’Byrne’s one woman play, Rendition, as an occasion for public contemplation of the CIA’s Rendition, Detention, and Interrogation program.

Cultural Renditions of Guantánamo and the War on Terror

Abstract: This essay examines the Guantánamo Bay detention facility as a site and subject of intellectual and cultural production which can address aspects of the war on terror foreclosed by law and politics. The essay begins with prisoner Abu Zubaydah’s recent petition to the US Supreme Court and arguments there about state secrets privilege to shield evidence of the CIA’s Rendition, Detention, and Interrogation (RDI) program (2002–2009) from disclosure. Drawing on Bonnie Honig’s theory of democratic deliberative processes and “public things,” the essay then turns Read More »

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